kellyegan https://kellyegan.ca kellyegan Mon, 14 Nov 2022 15:58:10 +0000 https://kellyegan.ca en Films, Film Quilts, Installations and Performances https://kellyegan.ca/Films-Film-Quilts-Installations-and-Performances Sat, 12 Nov 2022 22:07:23 +0000 kellyegan https://kellyegan.ca/Films-Film-Quilts-Installations-and-Performances FILMS [UNDER CONSTRUCTION] <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9689bd6ec5e25d3ce0b8b7a6af50bc8ff8fdec7703ce4e7a91e7cac08dd98316/erring-stills-2.jpg" data-mid="159024833" border="0" src="https://freight.cargo.site/w/1000/i/9689bd6ec5e25d3ce0b8b7a6af50bc8ff8fdec7703ce4e7a91e7cac08dd98316/erring-stills-2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/18ac2a8a554e14de8c883985344afdefb926b15e3e09f09bbe6eac311a5c103b/erring-stills.jpg" data-mid="159024941" border="0" src="https://freight.cargo.site/w/1000/i/18ac2a8a554e14de8c883985344afdefb926b15e3e09f09bbe6eac311a5c103b/erring-stills.jpg" /> &nbsp;OF SWALLOWS&nbsp;&nbsp; &nbsp; &nbsp;35mm film, handpainted, silent, 2025.“Imagine an eye unruled by man-made laws of perspective …Imagine a&nbsp;world alive with incomprehensible objects and shimmering with an endless variety&nbsp;of&nbsp;movement and innumerable gradations&nbsp;of&nbsp;color. Imagine a&nbsp;world before the beginning was the word.”&nbsp;- Stan Brakhage A swallow's eye is longer than other birds. Their visual acuity is said to resemble raptors. For sailors, swallows are good omens signifying a close shore. My father loved birds. Since his passing, I've felt afloat.&nbsp;Lost and unanchored.&nbsp;In a sea&nbsp;of&nbsp;overwhelming emotions, I look for&nbsp;swallows, as metaphors for moulting oppressive epistemologies and (re)visioning the world. <img width="8533" height="4800" width_o="8533" height_o="4800" data-src="https://freight.cargo.site/t/original/i/f61107b0829f7fa02dee2059593a356e61f4a84bf4abeda86e2a37836ab0c286/EGAN_Anna_Still14.jpg" data-mid="159190837" border="0" src="https://freight.cargo.site/w/1000/i/f61107b0829f7fa02dee2059593a356e61f4a84bf4abeda86e2a37836ab0c286/EGAN_Anna_Still14.jpg" /> <img width="8533" height="4800" width_o="8533" height_o="4800" data-src="https://freight.cargo.site/t/original/i/2ec5e3efa69a6239795e0e253cbd143d84e81782548dbda9b7982874bf33e4b8/EGAN_Anna_Still12-2.jpg" data-mid="158826976" border="0" src="https://freight.cargo.site/w/1000/i/2ec5e3efa69a6239795e0e253cbd143d84e81782548dbda9b7982874bf33e4b8/EGAN_Anna_Still12-2.jpg" /> <img width="716" height="960" width_o="716" height_o="960" data-src="https://freight.cargo.site/t/original/i/fe896c9cce7d56091e0d5548ddc7b50b33b5e9a7b5a6335bbe1c0bb38745d1be/Egan-Image-5-Athyrium-Quilt-copy.jpg" data-mid="158832101" border="0" src="https://freight.cargo.site/w/716/i/fe896c9cce7d56091e0d5548ddc7b50b33b5e9a7b5a6335bbe1c0bb38745d1be/Egan-Image-5-Athyrium-Quilt-copy.jpg" /> ATHYRIUM FILIX-FEMINA (FOR ANNA ATKINS) 35mm handcoated+handmade cyanotype gelatin emulsion, animated optical sound, 2016ATHYRIUM FILIX-FEMINA (For Anna Atkins), the 2nd "quilt film" paying homage to pioneering female artists, was created using Atkins' original cyanotype recipe, coating 35mm film, and exposing each filmstrip to sun. The images are a combination of botanical photograms like Atkins’ images and found footage that tells the story of a young girl tormented by a gang of bullies that, weaved together, produce a feminist narrative that questions malecentrism within the history of the photographic arts and sciences. watch on vimeo <img width="720" height="480" width_o="720" height_o="480" data-src="https://freight.cargo.site/t/original/i/aaaad744d2c580e2077e934b9bf3bfbff776bec19928b64d7271ef2b32e1cb50/ransomstill8.jpg" data-mid="158827000" border="0" data-scale="100" src="https://freight.cargo.site/w/720/i/aaaad744d2c580e2077e934b9bf3bfbff776bec19928b64d7271ef2b32e1cb50/ransomstill8.jpg" /> <img width="1236" height="2747" width_o="1236" height_o="2747" data-src="https://freight.cargo.site/t/original/i/f3c7a648128f0a43be3d4b977e3218d7d5e8a685113690ac714cc194eae990b4/ransom-notes-comp.jpg" data-mid="159190970" border="0" src="https://freight.cargo.site/w/1000/i/f3c7a648128f0a43be3d4b977e3218d7d5e8a685113690ac714cc194eae990b4/ransom-notes-comp.jpg" /> <img width="660" height="479" width_o="660" height_o="479" data-src="https://freight.cargo.site/t/original/i/669dbac6b578d9ae4c5b0fc4749ee35c006bcf7216b2ce57c8b674a83f722731/Ransom-Still-4-Website.jpg" data-mid="159426554" border="0" src="https://freight.cargo.site/w/660/i/669dbac6b578d9ae4c5b0fc4749ee35c006bcf7216b2ce57c8b674a83f722731/Ransom-Still-4-Website.jpg" /> <img width="663" height="478" width_o="663" height_o="478" data-src="https://freight.cargo.site/t/original/i/080fcc871caaa8bd7e1d3086fbe48dbea5a642588a339a875ffd1888c8da4153/Ransom-Still-3-Website.jpg" data-mid="159426560" border="0" src="https://freight.cargo.site/w/663/i/080fcc871caaa8bd7e1d3086fbe48dbea5a642588a339a875ffd1888c8da4153/Ransom-Still-3-Website.jpg" /> <img width="662" height="478" width_o="662" height_o="478" data-src="https://freight.cargo.site/t/original/i/4ad65810b2b742928a693703db1e3d4033a0f3e9618625fc2b4697118a134d7a/Ransom-Still-2-Website.jpg" data-mid="159426562" border="0" src="https://freight.cargo.site/w/662/i/4ad65810b2b742928a693703db1e3d4033a0f3e9618625fc2b4697118a134d7a/Ransom-Still-2-Website.jpg" /> <img width="663" height="480" width_o="663" height_o="480" data-src="https://freight.cargo.site/t/original/i/59328ebd84c2d9fa1a63b77837479abbf6bba1519271acafbb7b6901e823e457/Ransom-Still-Website.jpg" data-mid="159426563" border="0" src="https://freight.cargo.site/w/663/i/59328ebd84c2d9fa1a63b77837479abbf6bba1519271acafbb7b6901e823e457/Ransom-Still-Website.jpg" /> RANSOM NOTES 35mm cameraless animation (collage, hanpainted), animated optical sound, 2011 The ransom note, in our collective imagination, is an interesting entry point to the politics of ownership, freedom and exchange value, made by transforming mass media (newspapers) content into a personal message – the re-appropriation of language and meaning through the act of collage. RANSOM NOTES explores this as a means of sorting out the filmmaker’s experience of feeling hijacked during the Toronto G20 Summit and subsequent riots of June 2010. watch on vimeo <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/6f4f90e7cda1200b05b6ed26538e8ea6d6e09d5c58b47fca2db1f6c62c4af109/A-Firefly-Still-WEBSITE_1.1.2.jpg" data-mid="159433159" border="0" src="https://freight.cargo.site/w/1000/i/6f4f90e7cda1200b05b6ed26538e8ea6d6e09d5c58b47fca2db1f6c62c4af109/A-Firefly-Still-WEBSITE_1.1.2.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/bcb9ce1273bcf85b6fff498aa364aa5990a9d107d9fac0a87a84e6af4d414b8a/A-Firefly-Still2-Website_1.1.3.jpg" data-mid="159433166" border="0" src="https://freight.cargo.site/w/1000/i/bcb9ce1273bcf85b6fff498aa364aa5990a9d107d9fac0a87a84e6af4d414b8a/A-Firefly-Still2-Website_1.1.3.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/fa18e35c41a63bf5539c5fa494498f5c62f9729092074194c6eacb87b92a56b5/A-Firefly-Still3-Website_1.1.4.jpg" data-mid="159433174" border="0" src="https://freight.cargo.site/w/1000/i/fa18e35c41a63bf5539c5fa494498f5c62f9729092074194c6eacb87b92a56b5/A-Firefly-Still3-Website_1.1.4.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/24ae34d926744e455753ecf48cf59d92d1009d0c47f15bec23dbbc4fc8da1c2b/A-Firefly-Still4-Website-2022_1.1.3.jpg" data-mid="159433177" border="0" src="https://freight.cargo.site/w/1000/i/24ae34d926744e455753ecf48cf59d92d1009d0c47f15bec23dbbc4fc8da1c2b/A-Firefly-Still4-Website-2022_1.1.3.jpg" /> A FIREFLY 35mm cameraless animation (collage), animated optical sound, 2007 Based on a poem by Souvankham Thammavongsa, A Firefly plays with words, letters and optical sound. The image was made by gluing words and letters directly onto clear leader, while the soundtrack is created by an optical light reading of the text of the poem. Originally made for the LIFT Poetry Projection series. watch on vimeo <img width="768" height="587" width_o="768" height_o="587" data-src="https://freight.cargo.site/t/original/i/b528509e79d27d7b89a6cf62877b20275e04a677e88c498b8d65d2bb3d988648/If-there-are-any-heaven-s-WEBSITE-2022-copy.jpg" data-mid="159427809" border="0" src="https://freight.cargo.site/w/768/i/b528509e79d27d7b89a6cf62877b20275e04a677e88c498b8d65d2bb3d988648/If-there-are-any-heaven-s-WEBSITE-2022-copy.jpg" />IF THERE ARE ANY HEAVENS MY MOTHER WILL (ALL BY HERSELF) 35mm cameraless animation (collage), animated optical sound, 2007 Collage of flowers from my mother’s funeral, to the beat of e.e. cummings’ poem. &lt;&lt;lost&gt;&gt; CATALOGS: WISH LIST&nbsp; 35mm, colour, animated optical sound, 2006 Collaboration with Penelope Umbrico &lt;&lt;coming soon&gt;&gt; <img width="720" height="480" width_o="720" height_o="480" data-src="https://freight.cargo.site/t/original/i/582fde4aec061cc5684dd6c898c4d93b44c9202090b75387fa6c2f7003ec9f95/Egan-Image-4-cwoneyedjail-still.jpg" data-mid="158827002" border="0" src="https://freight.cargo.site/w/720/i/582fde4aec061cc5684dd6c898c4d93b44c9202090b75387fa6c2f7003ec9f95/Egan-Image-4-cwoneyedjail-still.jpg" /> <img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/852390f6d129bc5dc471284413d31d6824ea039aa477366e4ee216eba1d17166/kellys-quilt-detail.JPG" data-mid="158832127" border="0" src="https://freight.cargo.site/w/640/i/852390f6d129bc5dc471284413d31d6824ea039aa477366e4ee216eba1d17166/kellys-quilt-detail.JPG" /> <img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/746b6da64a2b0d88fc58560b19973a7b9b2919cf95fe6a86095c3451d7fedd6e/c-won-eyed-jail-quilt-still.jpeg" data-mid="158832120" border="0" src="https://freight.cargo.site/w/1000/i/746b6da64a2b0d88fc58560b19973a7b9b2919cf95fe6a86095c3451d7fedd6e/c-won-eyed-jail-quilt-still.jpeg" /> C: WON EYED JAIL 35mm, colour and B&amp;W, animated optical sound, 2005An homage to Joyce Wieland, this film explores experimental narrative and structural forms through the use of traditional "women’s work," specifically through the symbolic patterning in quiltmaking practices. watch on vimeo TRANSPARENT “C” 16mm, cameraless animation (collage), animated optical sound, 2005transparent “c” is a formal investigation into the structure of language and meaning. Not only does transparent “c” break down the language structure to the basic common denominators, but it also flushes out the direct correlation between sound and image in my work. transparent “c” demonstrates the range of the sonic palette in animated sound through the mechanical performance of the projector optically reading the alphabet. watch on vimeo MARY/ME 16mm, cameraless animation (collage, handpainted), animated optical sound, 2004 &lt;&lt;coming soon&gt;&gt; OBJECT/LOSS 16mm, b&amp;w, silent, 2004&lt;&lt;coming soon&gt;&gt; <img width="6857" height="3112" width_o="6857" height_o="3112" data-src="https://freight.cargo.site/t/original/i/7f1ececd0c83f488f30963953ec088c521deacaca22e06e68f970032bb5f1fd1/Breath-filmstrips-copy-2.jpg" data-mid="159428663" border="0" src="https://freight.cargo.site/w/1000/i/7f1ececd0c83f488f30963953ec088c521deacaca22e06e68f970032bb5f1fd1/Breath-filmstrips-copy-2.jpg" /> 16mm, cameraless animation (collage), animated optical sound, 2003&lt;&lt;coming soon&gt;&gt; BODIES OF KNOWLEDGE 16mm, colour, animated optical sound,&nbsp;2002 &lt;&lt;coming soon&gt;&gt; COCKROACH 16mm, cameraless animation (collage), animated optical sound, 2002 &lt;&lt;coming soon&gt;&gt; FINGER PETALS 16mm, cameraless animation (collage), animated optical sound,&nbsp;2002 &lt;&lt;coming soon&gt;&gt; Publications and Presentations https://kellyegan.ca/Publications-and-Presentations Sat, 12 Nov 2022 22:07:23 +0000 kellyegan https://kellyegan.ca/Publications-and-Presentations SELECTED PUBLICATIONS: <img width="400" height="600" width_o="400" height_o="600" data-src="https://freight.cargo.site/t/original/i/502bdee73dccd0d6febad070bad390403d122ad34cf3c0f74ff1f7c3fe0dba02/EcrMS14b.png" data-mid="158832679" border="0" src="https://freight.cargo.site/w/400/i/502bdee73dccd0d6febad070bad390403d122ad34cf3c0f74ff1f7c3fe0dba02/EcrMS14b.png" /> <img width="627" height="900" width_o="627" height_o="900" data-src="https://freight.cargo.site/t/original/i/d766ed9e4addb2607469026564cded405804edf647b25cee6c300bdc6778bfbf/anma_15_2.cover.png" data-mid="158829614" border="0" src="https://freight.cargo.site/w/627/i/d766ed9e4addb2607469026564cded405804edf647b25cee6c300bdc6778bfbf/anma_15_2.cover.png" /> <img width="400" height="507" width_o="400" height_o="507" data-src="https://freight.cargo.site/t/original/i/5d6305f6672cd6f47ef20de528b463afb7be58a2703b7075ca69b7b66a108dce/process-film-cover.jpeg" data-mid="158827361" border="0" src="https://freight.cargo.site/w/400/i/5d6305f6672cd6f47ef20de528b463afb7be58a2703b7075ca69b7b66a108dce/process-film-cover.jpeg" /> “Vers un cinéma féminine: La courtepointe comme forme de discours feministe,” Écrans, Classique Garnier, Vol 1, Num 17, October 2022. [link] “Tones form Out of Nowhere and Other Nonsense.” Animation: An Interdisciplinary Journal, Sage Journal, Vol 15, Issue 2, July 2020. [link] “Notes on the Materiality of Language in Synthetic Sound Film.” Process Cinema: Handmade Film in the Digital Age. Eds. Scott MacKenzie and Janine Marchessault, Montreal: McGill-Queen’s University Press, 2019. [link]“Play: Reimagining film, or, Towards a New Pedagogy of Film Studies,” Offsceen, Volume 21, Issue 10, October 2017. [link]“New Visions/Old Land: Curatorial Statement” Electric City Culture Council, September 2017. [link]“Jouer: Repenser le film,” Hors Champ, May/June 2016. [link] “Introduction,” “Filmmography,” “Eventography,” and “Artist Pages.” The Loop Collective Anthology, Ed. Kelly Egan. Toronto, Ontario: Loop Collective Press, 2013.“Film in Canada.” The Forties in America. Ed. Thomas Tandy Lewis. Pasadena, California: Salem Press, 2010.“Radio in Canada.” The Forties in America. Ed. Thomas Tandy Lewis. Pasadena, California: Salem Press, 2019.“In Between Trama and Holon: The Role of the Object in the Performance of Film.” Christian Lebrat. Toronto, Ontario: Loop Collective Press, 2009. SELECTED PRESENTATIONS: Archive/CounterArchive, Archival Atelier: Kelly Egan and Mark Toscano,&nbsp; "Material in the Margins: Experimental Film, the Archive and Ephemerality, Zoom Seminar (International), March 25, 2022. &nbsp; Trent University’s Centre for Teaching and Learning, Faculty Schowcase for Remote Teaching, Fall 2020. TECHNÈS, “Between the Archive and the Artist: Looking back to find a Future for Avant-Garde Film.” Materiality, Aesthetics and The History of Technology: The François Lemai Collection as Laboratory, Université Laval, Québec City, May 13-17, 2019. “Filmmaking at the Edge: Experimental Animation Techniques and Feminist Art Practices.” Artist Visit for Experiment Animation, CalArts School of Film and Video, December 2018. “P:PULSING:G:P:PLEASURES:S:P:PRESENT:TENSED:D.” Society of Literature, Science and Art (SLSA) 2018 Annual Meeting; Toronto, Canada, November 2018. “Me, Mean, Meaning, Meaningless, Meaninglessness.” Invited Lecture. Film Studies, Michigan State University, April 2018.“A Word on the Life and Death of Cinema.” Society of Literature, Science and Art (SLSA)2017 Annual Meeting; Arizona State University, November 2017.“‘Tones From Out of Nowhere’ Revisited: The Significance of Noise in Early Synthetic Sound Film.” Canadian Communication Association (CCA) Annual Conference; Ryerson University, May 2017. Invited Participant, Analogue Film Symposium, Independent Media Arts Alliance, Calgary AB, March 2017.“Play: Reimagining film, or, Towards a New Pedagogy of Film Studies.” Enseigner/Montrer, Symposium Créer/Montrer/Conserver, Cinémathèque Québecoise, November 2015.“‘Tones From Out of Nowhere’ Revisited: The Significance of Noise in Early Synthetic Sound Film.” Film Studies Association of Canada (FSAC) Annual Conference; University of Ottawa, June 2015. “A Practical Guide to Film Preservation.” Film Studies Association of Canada (FSAC) Annual Conference; University of Ottawa, June 2015.“A Matter of Projection: Line Describing a Cone.” POP UP Series in Partnership with Cultural Studies, Trent University, Art Gallery of Peterborough, April 2015.&nbsp;“Collecting, Curating, Creating: A Media Archaeology of Spencer Douglass Crockwell’s Mutoscopes.” Film Studies Association of Canada (FSAC) Annual Conference; Brock University, June 2014.“Collecting, Curating, Creating: A Media Archaeology of Spencer Douglass Crockwell’s Mutoscopes.” Media Archaeology and Technological Debris; Goldsmiths University of London, June 2013.“Sounding Visual Symbols: A Case Study of László Moholy-Nagy’s Sound-Script.” American Comparative Literature Association Annual Conference; University of Toronto, April 2013.“In the Belly of the Beast: A Comparative Rhythmanalysis of 35mm Film and D-Cinema Projectors.” Film Studies Association of Canada (FSAC) Annual Conference; University of Waterloo, May 2012.“Visual Rhythm/Mechanical Speed: Early Avant-Garde Film, the Art of Noises and the Technology of Mechanical Reproduction.” Film Studies Association of Canada (FSAC) Annual Conference; Concordia University, June 2010. Curation https://kellyegan.ca/Curation-1 Sat, 12 Nov 2022 22:07:24 +0000 kellyegan https://kellyegan.ca/Curation-1 PROFESSIONAL AFFILIATIONS: &nbsp; &nbsp; Canadian Images in Conversation (Co-founder) The Loop Collective (Member) The Lost Dominion Screening Collective (Member) <img width="3475" height="5275" width_o="3475" height_o="5275" data-src="https://freight.cargo.site/t/original/i/87c78174cdd517d7d654d142d75fe14821291b24dbdbf6abb608777e182ee8ff/Moments-of-Perception-Final-Flat.jpg" data-mid="158828342" border="0" src="https://freight.cargo.site/w/1000/i/87c78174cdd517d7d654d142d75fe14821291b24dbdbf6abb608777e182ee8ff/Moments-of-Perception-Final-Flat.jpg" /> <img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/2cc90b1d7ac7f50aa57b4e96366199a22be4bd8be3a804a34920f348507693aa/CIIC-Moments.jpeg" data-mid="158827491" border="0" src="https://freight.cargo.site/w/1000/i/2cc90b1d7ac7f50aa57b4e96366199a22be4bd8be3a804a34920f348507693aa/CIIC-Moments.jpeg" /> <img width="5400" height="7200" width_o="5400" height_o="7200" data-src="https://freight.cargo.site/t/original/i/c7086d44899aeb9731e618e8d5aa3b5f5af392a14bd4d8a945179a527acbbf28/ROGER-BEEBE-poster-2.jpg" data-mid="158827653" border="0" src="https://freight.cargo.site/w/1000/i/c7086d44899aeb9731e618e8d5aa3b5f5af392a14bd4d8a945179a527acbbf28/ROGER-BEEBE-poster-2.jpg" /> <img width="720" height="540" width_o="720" height_o="540" data-src="https://freight.cargo.site/t/original/i/9284ac6ccffd9068fab289c5901cc9ddf7b793516f0f9de07996b6a0bda90c4f/Rhayne-Vermette-Poster-Final.jpeg" data-mid="158827568" border="0" src="https://freight.cargo.site/w/720/i/9284ac6ccffd9068fab289c5901cc9ddf7b793516f0f9de07996b6a0bda90c4f/Rhayne-Vermette-Poster-Final.jpeg" /> <img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/f9c4bff8e392d6ee1cf1f60adae0696d50d638680535ece6a6a618d87373d9da/alexlarose2-1.jpg" data-mid="158827800" border="0" src="https://freight.cargo.site/w/1000/i/f9c4bff8e392d6ee1cf1f60adae0696d50d638680535ece6a6a618d87373d9da/alexlarose2-1.jpg" /> <img width="3009" height="3905" width_o="3009" height_o="3905" data-src="https://freight.cargo.site/t/original/i/25de89a6f2ecaf6b9f66f7a7bb78a3d8dfaf86957859698472553b8fb447108b/2018.04.13-Broad-Underground.jpg" data-mid="158827648" border="0" src="https://freight.cargo.site/w/1000/i/25de89a6f2ecaf6b9f66f7a7bb78a3d8dfaf86957859698472553b8fb447108b/2018.04.13-Broad-Underground.jpg" /> <img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/85c7440badafbfe2e145e69d7846fadb365bc22acb08e45e355714fbcd9e91ce/Visions-kelly-synthetic-sound.jpeg" data-mid="158968923" border="0" src="https://freight.cargo.site/w/1000/i/85c7440badafbfe2e145e69d7846fadb365bc22acb08e45e355714fbcd9e91ce/Visions-kelly-synthetic-sound.jpeg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/df58a9eaf203c6bcf3f16820210b929453dc30df680936cb5879bf5591760121/12366142_1091779957501334_3479084704604811294_o.jpeg" data-mid="158830949" border="0" src="https://freight.cargo.site/w/1000/i/df58a9eaf203c6bcf3f16820210b929453dc30df680936cb5879bf5591760121/12366142_1091779957501334_3479084704604811294_o.jpeg" /> Teachings and Student Works https://kellyegan.ca/Teachings-and-Student-Works Sat, 12 Nov 2022 22:07:25 +0000 kellyegan https://kellyegan.ca/Teachings-and-Student-Works Cultural Studies at Trent University offers a unique combination of theory and practice. I’ve taught a range of courses in the Fine Arts, Media Studies, Visual Studies, Film Studies and Archival Studies. <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c87d0dfecfd098afd76d81515e4d2fb6ad771e161b3e7d80cfbd694f569a661c/AwardWinner_KellyEgan.JPG" data-mid="158826593" border="0" src="https://freight.cargo.site/w/1000/i/c87d0dfecfd098afd76d81515e4d2fb6ad771e161b3e7d80cfbd694f569a661c/AwardWinner_KellyEgan.JPG" /> TEACHING AWARDS: Merit Award for Exceptional Contributions in Teaching, Trent University, 2019 Symons Award for Excellence in Teaching, Trent University, 2018 COURSES TAUGHT BY UNIVERSITY ACADEMIC LEVEL:FIRST YEAR: Intro to Media Studies, Intro to the Study of Modern Culture SECOND YEAR: Intro to Visual Studies, Media and Society, Drawing Workshop, Photography Workshop, Intro to Film II THIRD YEAR: Visual Arts Studio, Documentary Film Workshop, Experimental Film Workshop, Archiving and Curating Modernist Art, Historical Photographic Processes, The Expanded Image FOURTH YEAR: Art Culture Theory, Media Ecologies, Cinema in the Digital Age, Advanced Research-Creation LINKS TO STUDENT WORK: Culture X: Cultural Studies Student Show 2022 @ Artspace Peterborough Gregrory R. Frith Memorial Prize in Cultural Studies (List and work of annual undergraduate art award winners) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &lt;&lt;more coming soon&gt;&gt; &nbsp; Project Nav https://kellyegan.ca/Project-Nav Sat, 12 Nov 2022 22:07:25 +0000 kellyegan https://kellyegan.ca/Project-Nav Home&nbsp; &nbsp;Next︎ &nbsp; Homepage https://kellyegan.ca/Homepage Mon, 14 Nov 2022 15:58:10 +0000 kellyegan https://kellyegan.ca/Homepage