︎
SELECTED PUBLICATIONS:






  • “Vers un cinéma féminine: La courtepointe comme forme de discours feministe,” Écrans, Classique Garnier, Vol 1, Num 17, October 2022. [link]

  • “Tones form Out of Nowhere and Other Nonsense.” Animation: An Interdisciplinary Journal, Sage Journal, Vol 15, Issue 2, July 2020. [link]

  • “Notes on the Materiality of Language in Synthetic Sound Film.” Process Cinema: Handmade Film in the Digital Age. Eds. Scott MacKenzie and Janine Marchessault, Montreal: McGill-Queen’s University Press, 2019. [link]


  • “Play: Reimagining film, or, Towards a New Pedagogy of Film Studies,” Offsceen, Volume 21, Issue 10, October 2017. [link]

  • “New Visions/Old Land: Curatorial Statement” Electric City Culture Council, September 2017. [link]

  • “Jouer: Repenser le film,” Hors Champ, May/June 2016. [link]

  • “Introduction,” “Filmmography,” “Eventography,” and “Artist Pages.” The Loop Collective Anthology, Ed. Kelly Egan. Toronto, Ontario: Loop Collective Press, 2013.

  • “Film in Canada.” The Forties in America. Ed. Thomas Tandy Lewis. Pasadena, California: Salem Press, 2010.

  • “Radio in Canada.” The Forties in America. Ed. Thomas Tandy Lewis. Pasadena, California: Salem Press, 2019.

  • “In Between Trama and Holon: The Role of the Object in the Performance of Film.” Christian Lebrat. Toronto, Ontario: Loop Collective Press, 2009.
SELECTED PRESENTATIONS:

  • Archive/CounterArchive, Archival Atelier: Kelly Egan and Mark Toscano,  "Material in the Margins: Experimental Film, the Archive and Ephemerality, Zoom Seminar (International), March 25, 2022.  


  • Trent University’s Centre for Teaching and Learning, Faculty Schowcase for Remote Teaching, Fall 2020.


  • TECHNÈS, “Between the Archive and the Artist: Looking back to find a Future for Avant-Garde Film.” Materiality, Aesthetics and The History of Technology: The François Lemai Collection as Laboratory, Université Laval, Québec City, May 13-17, 2019.


  • “Filmmaking at the Edge: Experimental Animation Techniques and Feminist Art Practices.” Artist Visit for Experiment Animation, CalArts School of Film and Video, December 2018.

  • “P:PULSING:G:P:PLEASURES:S:P:PRESENT:TENSED:D.” Society of Literature, Science and Art (SLSA) 2018 Annual Meeting; Toronto, Canada, November 2018.

  • “Me, Mean, Meaning, Meaningless, Meaninglessness.” Invited Lecture. Film Studies, Michigan State University, April 2018.

  • “A Word on the Life and Death of Cinema.” Society of Literature, Science and Art (SLSA)2017 Annual Meeting; Arizona State University, November 2017.


  • “‘Tones From Out of Nowhere’ Revisited: The Significance of Noise in Early Synthetic Sound Film.” Canadian Communication Association (CCA) Annual Conference; Ryerson University, May 2017. Invited Participant, Analogue Film Symposium, Independent Media Arts Alliance, Calgary AB, March 2017.


  • “Play: Reimagining film, or, Towards a New Pedagogy of Film Studies.” Enseigner/Montrer, Symposium Créer/Montrer/Conserver, Cinémathèque Québecoise, November 2015.

  • “‘Tones From Out of Nowhere’ Revisited: The Significance of Noise in Early Synthetic Sound Film.” Film Studies Association of Canada (FSAC) Annual Conference; University of Ottawa, June 2015. “A Practical Guide to Film Preservation.” Film Studies Association of Canada (FSAC) Annual Conference; University of Ottawa, June 2015.

  • “A Matter of Projection: Line Describing a Cone.” POP UP Series in Partnership with Cultural Studies, Trent University, Art Gallery of Peterborough, April 2015. 


  • “Collecting, Curating, Creating: A Media Archaeology of Spencer Douglass Crockwell’s Mutoscopes.” Film Studies Association of Canada (FSAC) Annual Conference; Brock University, June 2014.


  • “Collecting, Curating, Creating: A Media Archaeology of Spencer Douglass Crockwell’s Mutoscopes.” Media Archaeology and Technological Debris; Goldsmiths University of London, June 2013.


  • “Sounding Visual Symbols: A Case Study of László Moholy-Nagy’s Sound-Script.” American Comparative Literature Association Annual Conference; University of Toronto, April 2013.


  • “In the Belly of the Beast: A Comparative Rhythmanalysis of 35mm Film and D-Cinema Projectors.” Film Studies Association of Canada (FSAC) Annual Conference; University of Waterloo, May 2012.


  • “Visual Rhythm/Mechanical Speed: Early Avant-Garde Film, the Art of Noises and the Technology of Mechanical Reproduction.” Film Studies Association of Canada (FSAC) Annual Conference; Concordia University, June 2010.